September 2008
4 posts
Philip Potter →
August 2008
63 posts
Remote Viewing
Remote viewing is simple. Not easy, simple. Learning remote viewing is like training in a martial art - it takes time and dedication, and then when you think you are there, there is always more to learn.
Every physical manifestation in the world gives off a distinct vibration, like a kind of energetic ‘smell’. Remote viewers are practiced at entering very receptive states of mind where they can...
Christina Christofi:
In my current work I wanted to explore the idea that a portrait may be able to signify the psychological condition of the child and its environment without any description and only through the use of colour and colour relationships.
The face and its portrait is the site of the senses: vision, smell and taste are centered here .It is through the face that one gathers and...
This is ‘a delightfully hectic website’ according to www.createdinbirmingham.com.
Margaret Street MA show on BBC online →
‘Visitors to the Birmingham Institute of Art and Design MA show, which opens on August 29th, are in for a surreal, inspiring and beautiful experience, featuring what has been hailed as the best art ever produced by Margaret Street School of Art’.
IF ITS ON THE BEEB IT’S GOT TO BE TRUE
Clare Viner
I watch your conversation
I don’t hear the words but I think I get the drift,
The way you incline your head to listen,
Nodding, laughing, or creasing your brow just a little.
When you close your eyes, can I guess what you’re thinking?
You cannot see me, I watch you unobserved.
I stare as hard as I like, you won’t take me to be rude.
You concentrate, vulnerable, intent for...
Mark Chadwick
My art practice is concerned by the use of machines in the production of an artwork. With our culture becoming more and more engaged with new technologies, my work questions the implications of handing over control of an artwork to a mechanical device. I use machines to allow chance to enter the creative process, exploring ideas surrounding authorship, consciousness and interaction. With the...
Maria de Regla Garcia-Bernal www.nextstopexhibition.com
Marina Moreno SPLAT
SPLAT
In Between Spaces and Time
Marina is interested in the relationship between the performer and the camera and the notion of dance in the broader and conceptual sense.
“I see dance all around me: when I look outside the window and the passers-by are making patterns through the space. I see a painting and a moving picture.
I look at the repetitive gestures of different people,...
Chris Poolman
www.chrispoolman.co.uk
Nicola Plant
MA Digital Arts in Performance Before commencing her MA in Digital Arts in Performance, Nicola studied Music Technology at the Birmingham Conservatoire. Although a specialist in sound, Nicola works mainly with Audio-Visual Installation and Performance. Her work principally investigates the phenomenon and resonances of digital technologies of modern day art, society and culture....